Sketches include “Do You Know What I Hate? (VI)”, “Hospital”, “Inside Out”, “Run, Throw & Catch Like A Girl Olympics”, “Bar Mitzvah”, “Sports Beat”, “Fernando’s Hideaway”, “Red Guys Rap” and “Good Sex with Dr. Ruth Westheimer”. Greg Kihn performs “Boys Won’t (Leave The Girls Alone)” and “Lucky”.
Read MoreSketches include “Backstage”, “Ed Grimley and Miss Malone”, “Time”, “A Couple of White Guys”, “Kelly Cola”, “Power From Giving”, “New York on Five Dollars a Day”, “Fritz’s Bait & Tackle”, “Tuesday Night Titans” and “New Auctioneer”. Tina Turner performs “What’s Love Got To Do With It”, “Better Be Good To Me”, and “Private Dancer”.
Read MoreSketches include “Green Room”, “MacDouglass-Drummond”, “Do You Know What I Hate (IV)”, “Nose Hair Trimmer”, “Safeco”, “Fire Dance”, “Predictions”, “The Joe Franklin Show”, “Boxer”, “Scary Lady” and “Strictly From Blackwell”. John Waite performs “Saturday Night”.
Read MoreSketches include “Buckwheat Lives!”, “White Like Eddie”, “Mister Robinson’s Neighborhood”, “Milestones”, “Lifestyles of the Relatives of the Rich & Famous”, “The End of Buckwheat”, “Broadway Gumby Rose”, “Newsmakers”, “Black History Minute”, and “Climbing the Stairs.” Robert Plant & The Honeydrippers perform “Rockin’ At Midnight” and “Santa Claus is Back in Town”.
Read MoreSketches include “Adopted Son”, “Kate & Ali”, “Book Beat”, “Seventh Wedge”, “Let’s Watch T.V.”, “Marty”, “Vaudeville Funeral”, “Eyeball to Eyeball”, and “Elevator Stool”. Billy Squier performs “Rock Me Tonite” and “All Night Long”.
Read MoreSketches include "Advice", "Do You Know What I Hate?", "The Question Is Moot!", "Refrigerator Magnet Safety Advisory Board", "Just Kidding", "First Class", "Tippi Turtle", "Wrong Voice, Right Face", "Funny Black People", "Jeane", "Rich Hall's Election Report", "Fashion Report" and "Rainbow Coalition". Andrae Crouch performs "Right Now" and Wintley Phipps performs "Tell Me Again".
Read MoreSaturday Night Live executive producer Dick Ebersol and producer Bob Tischler had more or less righted the ship by 1984, but Eddie Murphy’s departure that February meant the show had lost its biggest star and a crucial factor in the show’s survival to that point. Despite this loss, the show made it to the end of the season, but SNL’s future was uncertain; the season finale featuring five hosts could have wound up being the last show, but was successful enough to earn the show another season and its first Emmy nomination since 1980.
Breaking with the show’s tradition of breaking undiscovered talent, Ebersol and Tischler signed a number of established comedy performers, many to higher-priced one-season contracts: Billy Crystal, already a two-time host the previous season; Martin Short from the just-ended SCTV; Christopher Guest and one-time SNL regular Harry Shearer, fresh off acclaim (and an SNL musical guest gig) for This Is Spinal Tap; Rich Hall from Fridays and Not Necessarily The News, and Pamela Stephenson from NNTN’s British progenitor Not The Nine O’Clock News. All but Stephenson were also credited as writers.
To make room for the new group, Ebersol and Tischler cleaned house: Joe Piscopo, whose impact on the show slowly waned over the course of the previous season, was out, as were Tim Kazurinsky, Robin Duke and Brad Hall. In the writers’ room, rookies Adam Green and Michael McCarthy were gone; Pam Norris, Margaret Oberman and head writer Andrew Smith had also departed as full-time writers, though the latter two would still occasionally contribute to SNL on a freelance basis over the coming year. Joining the writing staff that year were Fridays regular Larry David, Second City alum Rob Riley, and returning SNL writer Jim Downey, as well as a number of guest writers over the course of the season.
Despite these big changes, returning players Jim Belushi, Mary Gross, Gary Kroeger and Julia Louis-Dreyfus helped lend the show some continuity. Many key writers from the previous seasons also remained: Andy Breckman and Kevin Kelton returned for their second year, Andrew Kurtzman his third, Bob Tischler, Eliot Wald and Nate Herman their fourth; original SNL writer Herb Sargent also remained on board. Like in previous years, Ebersol and Tischler prioritized sketches featuring the bigger stars, leaving the remaining cast and writers to compete for the remaining airtime; beside the new group of writer-performers, Breckman and the team of Kelton, Kurtzman and Wald contributed a lot of this year’s scripts.
SNL in 1984-85 featured a growing reliance on pre-taped sketches (most directed by Guest, Breckman, Claude Kerven or John Fox), and an even stronger reliance on recurring characters: on any given show, Billy Crystal, Christopher Guest and Martin Short usually dominated the first half hour with immediately recognizable characters. Crystal in particular thrived this year, owing much to his professionalism and willingness to collaborate with the other writers, while Harry Shearer’s relationship with the show soured almost immediately. A talented but exacting writer and performer, Shearer’s strengths were less compatible with Dick Ebersol’s more commercial direction for the show, and backstage tensions grew so toxic that Ebersol cut him loose mid-season.
Saturday Night News continued to limp along with guest anchors until Christopher Guest was installed as permanent anchor in December, with mixed results; Guest’s versatility made him a valuable addition to sketches, but on-camera as himself, his aloof demeanor tended to cross over into outright dullness. An SNL staple since the first show, the news parody had de-emphasized political satire in favor of guest commentary pieces by this point, and several shows this season dispensed with the news segment altogether.
A writers’ strike briefly interrupted the season in March, but the show returned for a final three-episode stretch, ending the year a month earlier than normal on April 13. By that point, Ebersol had grown tired of SNL’s grueling production schedule, and opted to focus his energies on Friday Night Videos and Saturday Night’s Main Event, a series of wrestling specials that ran in the SNL timeslot.
As usual, I will be posting sketch-by-sketch reviews, with new posts uploaded every weekend. Any information regarding the sketches (such as sketch authorship) and shows is certainly welcome, and will be incorporated into my reviews with acknowledgement
The episodes (with links to episode summaries in the SNL Archives):
October 6, 1984: (no host) / Thompson Twins
October 13, 1984: Bob Uecker / Peter Wolf
October 20, 1984: Rev. Jesse Jackson / Andrae Crouch, Wintley Phipps
November 3, 1984: Michael McKean / Chaka Khan
November 10, 1984: George Carlin / Frankie Goes To Hollywood
November 17, 1984: Ed Asner / The Kinks
December 1, 1984: Ed Begley Jr. / Billy Squier
December 8, 1984: Ringo Starr / Herbie Hancock
December 15, 1984: Eddie Murphy / Robert Plant & The Honeydrippers
January 12, 1985: Kathleen Turner / John Waite
January 19, 1985: Roy Scheider / Billy Ocean
February 2, 1985: Alex Karras / Tina Turner
February 9, 1985: Harry Anderson / Bryan Adams
February 16, 1985: Pamela Sue Martin / The Power Station
March 2, 1985: SNL Film Festival with Siskel & Ebert
March 30, 1985: Mr. T & Hulk Hogan / The Commodores
April 6, 1985: Christopher Reeve / Santana
April 13, 1985: Howard Cosell / Greg Kihn
Sorry I haven't been posting my SNL reviews, but I just wanted to make sure I put in a plug for my favorite SNL resource, The SNL Archives.
Read MorePersonal website of photographer and writer Bronwyn Douwsma.
I’m on the bus. It’s too early to be human and I haven’t had my coffee yet so I don’t really want to do much; maybe read or listen to music, things that help tune out the other people or the monotony of the commute. When I leave the suburbs, it's usually dark. I sometimes look out the windows, but more to see how far I’ve traveled than at anything interesting. By the time I arrive downtown, I can see the sun coming up over the harbour.
The year is winding down. I’m preparing to go to New Brunswick for my regular Christmas visit with the family; my travel arrangements up there have all been taken care of. I haven’t bothered with Christmas shopping yet; my cash flow was a little tight until my last paycheque came in, and my tolerance for the malls has dropped over the years. Everything costs too much money now.
If there was one word to describe the 13th season of SNL, it would be “consistent”. No longer on the bubble thanks to the previous year’s success, SNL in 1987-88 continued pretty much in the same direction as the last season with a little more confidence and a little less to prove.
Sketches include “Pumping Up With Hans & Franz”, “Wilson Trap Doors”, “Church Chat”, “Airline”, “Jorge Garcia, Nice Guy Dictator”, “The Cop & The Prostitute”, “When Great Minds Meet” and “Pirates”. 10,000 Maniacs performs “Like The Weather” and “What’s The Matter Here”.
Sketches include “Calgary 1988”, “Giant Businessman”, “The Bean Cafe”, “The Pat Stevens Show”, “Girl Watchers”, “Computer Panic”, “Casey Kasem Sings The Beatles”, “Delivery Room”, “Stand-Ups III”, and “The Pawn Shop”. Randy Travis performs “Forever And Ever, Amen” and “What’ll You Do About Me”.
“Dining With LaRue” sketches include “Promo: Take The Money And Run”, “Raised By Geese”, “Big Giant Restaurant”, “Relaxing With Raoul”, “National Council of Antique and Restricted Automatic Weapons”, and “Dining With LaRue”.
“The Flaming Turkey” sketches include “The Two Goofs Grocery Store”, “PSA: Mental Illness”, “Insights with Hugh Betcha”, “Promo: Meet The Pawnbroker”, “SCTV News” “Polardak ESP-1 Camera”, “Firing Squad” and “SCTV Big Cultural Event: The Flaming Turkey”.
It’s been a while since I’ve posted here.