A playlist for SNL fans

No review this weekend; I'm at a break in my notes, so I have to sit down and watch the last nine shows of the season soon. In the meantime, I made a massive Spotify playlist of the recorded versions of nearly every song that's been performed on SNL over the last 40 years. There are a few artists and songs that had to be omitted due to them not making their work available on Spotify (looking at you, Neil Young and Prince), but this is still well over 1500 songs, mostly in chronological order.

One thing I noticed: the quality of the musical guests really bottomed out in the late 90s and early 2000s. Never forget: at one time, SNL found it appropriate to book Creed on the show.

Infamously Bad SNL Musical Performances

Last night's performance by Lana Del Rey on Saturday Night Live received a lot of attention, but it wasn't exactly what the singer or her label wanted: within minutes of Del Rey's American television debut, Twitter exploded with biting comments.

One likened her performance to a real-life example of what they were making fun of minutes earlier in a sketch called "You Can Do Anything", where people who have never been given honest reactions to their lack of talent perform.  Even more tellingly, the likes of Juliette Lewis, Eliza Dushku and Rachel Dratch had pithy zingers of their own directed at Del Rey's wobbly singing.  One article even surmised this might be a career-killer.  Her second performance in particular reminded me of an obscure Victoria Jackson character from the late 80's: Nancy Maloney, a lounge singer who goes from high-pitched screeching to a forced deep, husky voice all in the space of a single song.

The last time a musical guest bombed this bad on the 'SNL' stage was in April 2010.  Ke$ha performed "Tik Tok" with an American flag cape a bizarre laser show and astronaut-suited backing band, with a pause to ask "Did anyone ever stop to think we were the aliens?", which seemed to be an attempt at invoking Robert Plant's "Does anybody remember laughter?" while just looking even sillier.  Her second number, "Your Love Is My Drug" was even more bizarre, with her and her band covered in day-glo body paint.  I wrote at the time that Ke$ha came off as a half-assed Lady Gaga impersonator: I stand by that assessment.

Some other SNL musical moments of note, for all the wrong reasons:

  • Kanye West's attempt to replicate his autotune album "808s and Heartbreak" on the SNL stage with a giant video screen behind him.  There were a few times when the autotune "glitches" weren't able to cover West's weak singing ability, and the whole stage presence felt completely underwhelming.  I actually don't mind West's other performances (despite his braggadocio) and actually thought his 2010 performance art style numbers were a significant bounce back from this misstep.

  • Ashlee Simpson's appearance in 2004 has been the subject of enough commentary already.  When she was booked on the show, I just thought it was weak to have someone best known for riding the coattails of her more successful older sister (who by that point was better known for being an airhead on an MTV reality show than any music she put out beforehand).  For a brief moment, Ashlee did eclipse her sister...but only as the subject of scorn and derision.  Once her second number began with her vocals from the first song playing, while her mic was at hip level, she realized what was going on, did a little jig to save face and then left her band on stage to play out.  The show had to scramble to fill time because her aborted performance threw the timing off that night, and Simpson blamed her gaffe on her band playing the wrong song during the goodnights.  Post-script: Simpson got a do-over performance for her next album a year later to mass indifference.

  • Brian Wilson appeared on the show in 1976, during one of his low ebbs.  Overweight, bearded and with hair resembling that of a Fisher-Price man, Wilson was there to promote the Beach Boys' "comeback" 15 Big Ones, but despite able backing from the SNL band, he was not in any shape to perform.  His missed high notes in "Love Is A Woman" are painful enough to watch even without the tragic biography, but even sadder is a solo piano "Good Vibrations" in a giant sandbox at the end of the show.

  • Laura Branigan had a big hit with "Gloria" in 1982, and was booked on the show in December of that year.  Unfortunately, it seems she was under the weather that weekend because her voice was shot.  She resorts to speak-singing for much of the song, but at one point her voice gives out and squeaks a high note.

  • Spice Girls received much criticism when they performed "Wannabe" and "Say You'll Be There" in 1997: their vocal performances left much to be desired, but their dance moves bordered along the territory of the Juul Haalmeyer Dancers from SCTV, without the intentional comedy.

  • Backstreet Boys' appearance in March 1998 had a dance break where with the Boys doing this bit of choreography with folding chairs.  Even watching this with the benefit of hindsight and a bit of distance from when they were all over the radio playlists, it wasn't a very good performance to begin with, and the chair dance just made them look stupid.

  • The Go-Gos' appearance in 1981 was completely flimsy, slippy and lethargic at the same time.  Belinda Carlisle has admitted in her autobiography that this is due to being coked and boozed up that particular night, even going so far as calling it the worst performance the band ever did.

Much has already been written about Sinead O'Connor's well-intentioned but overly-strident protest of Catholic sex abuse at the end of her performance of "War", and Rage Against The Machine being tossed out of the studio for hanging down an upside-down flag on their amps (which was torn down before showtime) but I didn't really find too much fault with either performance.

Anyone who has their own nominees for infamously bad SNL performances, please leave a detailed comment.

On Michael Jackson

I'd like to add my voice to the din reacting to the death of Michael Jackson.  I don't get CNN at home but I did manage to catch a few minutes of the incessant coverage.  I have a feeling they will be covering a sensationalistic event like this nonstop, while in the "other news we don't give a shit about" ticker, we'll see something about bin Laden's body or the cure for AIDS being found.   It's just a fact of life in today's world.

Farrah Fawcett died the same day, but her impending death had been something that was obvious and expected.  Whatever state Jackson was in the past few years, the story came suddenly and out of the blue.  The resulting outpour of grief has been compared to what happened with Elvis Presley and John Lennon.  Lennon was a much more brutal loss considering the sheer awfulness of the circumstances, but Elvis, like Jackson, was this larger than life figure whose biggest successes were behind him and in later years was a mess, a clear shadow of his youthful self until his body gave out on a random hot muggy day.  Others have noted the eerie parallels between the two Kings: I wonder if there's going to be a cottage industry of Michael Jackson impersonators and alleged sightings.

A lot of the discussion of Michael Jackson has to include his bizarre behavior in the second half of his life, particularly the accusations of child molestation.  If he did actually do what a lot of people say he did, there is no excuse.  I'll have to admit that the two similar scandals ten years apart doesn't really work out in his favour, but I can't ultimately judge Michael Jackson in the same light as someone like Gary Glitter.  There was a bit of a naivite to Michael Jackson: he didn't really seem to fully comprehend how some of his actions looked to society.  He was pitiful at times.  There were a lot of things in his life that would have contributed to the collapse of his mental state.  In a way the Michael Jackson of Off The Wall and Thriller had already died around 1984.  Not that his later scandals have completely eclipsed his early triumphs, though: I doubt OJ Simpson is going to get the same reaction if he were suddenly to drop dead.

That said, the first thing I thought of when I heard the news was "I wonder what kind of hilariously inappropriate joke Andrew's going to come up with".  After David Carradine was found dead, my friend posted that he never knew David Carradine was an INXS/Michael Hutchence fan.  I've heard some good ones in the last few days, mainly focusing on his penchant for being surrounded by young boys.  I was then reminded of all the other jokes about him over the past 16 years and whether we can watch them in the same light again, knowing the conclusion to the story.  Stuff like Norm MacDonald's "Michael Jackson may be a child molester, but he's no song stealer" bit, or the many Clutch Cargo bits on Conan. 

I don't own any Michael Jackson music.  Yet for all his eccentricity, his massive, massive contributions to entertainment can't be ignored.  He was the biggest thing going in the eighties and so many people are familiar with the songs, the videos, the moonwalk, that his death has created a void.  That the 25th anniversary edition of an album most everyone had already, by someone who was written off as a wacko at best, sexual predator at worst, still ended up being the best selling catalog album of 2008 speaks volumes.  The music industry is so fractured now that someone being as big a figure as Michael Jackson in terms of talent and popularity is just not going to happen.  That Jackson died so suddenly only sealed his legend.

When other legendary music figures die, will the reaction be as huge as with Michael Jackson?  There are still people with greater contributions to the world of music, and there are still big stars, but the chances of a big jolt like this grow smaller as they grow older.  A friend of mine believes that whenever Bob Dylan passes, though his contribution to culture was incalculable  it will be almost anti-climactic because he has become myth ages ago.  But like Elvis Presley, Michael Jackson's notoriety was so far-reaching and ubiquitous, transcendent of a lot of barriers.  The music industry has changed so much that a universal figure like that isn't possible anymore. 

In the end, though, it's just another dead famous person, and despite the media coverage indicating otherwise, there are other things in the world to do.  There are other easy targets for jokes, and there is music I prefer listening to over his anyway.