I didn’t sleep well on Sunday night. It’s easy for me to sleep the weekend away, but as soon as I have to prepare my body to go to bed and wake up at specific times of the day, my mind starts filling with fragments of songs, random questions that don’t need answering, and hypothetical conversations I could possibly have. When my brain starts making this much noise, I always have trouble ignoring it.
I’m currently in one of my moods where I feel the need to take a break from people whenever I can. I’m not sure if this is the depression flaring up again, but my energy’s been lower than usual and I’ve been minimizing the amount of time I spend in public outside of work.
I haven’t bothered writing since last Monday; it was a fairly hectic week at work, and I found myself falling asleep for hours as soon as I got home. Whenever I came to and tried to work on something, the cat would decide that she would lie down on my computer keyboard, and by the time she stopped playing that game with me, it would be time to go to bed anyway. Autumn’s adorable and I love her, but she really knows how to push my buttons. I guess that’s the thing about cats.
As expected, I slept the weekend away and didn’t concern myself with getting anything posted while I recovered from whatever it was that was laying me low last week.
Sketches include “Firefighters”, “Wacky Glue”, “The Pat Stevens Show”, “Ford & Reagan”, “Trojans (I)”, “Those Unlucky Andersons”, “Jose Cuervo’s Party School Bowl”, “The Jose Cuervo Institute”, “The Life of Vlad the Impaler”, “The Blue, The Gray, And The Yellow”, “Drums Drums Drums”, “Pathological Liars Anonymous”, and “Craig Sundberg: Idiot Savant”. Sheila E. performs “Hollyrock” and “A Love Bizarre”.
Sketches include: “Drug Testing”, “Where You’re Going”, “National Inquirer Theatre”, “Pinklisting”, “Critic”, “The Jones Brothers”, “El Spectaculare De Marika”, “Royal Visit”, “The Limits of the Imagination” and “Coloring Book”. Simple Minds perform “Alive and Kicking”. Penn & Teller also appear.
Lorne Michaels stepped away from Saturday Night Live after the show’s fifth season, and his creation was kept alive by other producers, writers and actors for the next five years; when he returned to the show in 1985, he had a whole new cast, but many of the behind-the-scenes personnel were those who had been associated with his original five year tenure, and there were a handful of additions that would shape the show’s tone and look for years to come. Because the Jean Doumanian and Dick Ebersol eras each had their own specific directions and mostly unique personnel. one wonders what the show would have been like if Michaels had stuck around during that time. There are a few hints of what a Michaels-helmed SNL would have looked like in two of his TV productions during that period: Steve Martin’s Best Show Ever, a special Martin did for NBC in November 1981, and The New Show, Michaels’ ill-fated return to weekly network television
I was hoping to keep up a two-post-a-week schedule for a little while, but I’ve been feeling a little burnt out from the extra work this project takes and need a break from the whole process for the rest of the month.